News
Film Factory Boards Andrés Wood’s Fox-Distributed ‘Araña’ (EXCLUSIVE)
BUENOS AIRES — Vicente Canales’ Film Factory Entertainment has boarded “Araña,” directed by one of Chile’s foremost filmmakers, Andrés Wood, and distributed in North and Latin America by 20th Century Fox. Produced by Alejandra García at Santiago de Chile’s Wood...
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San Sebastian: Jayro Bustamante’s ‘La Llorona’ Goes to Film Factory (EXCLUSIVE)
‘Ixcanul’ director’s San Sebastian Forum winner stars Berlin-winning debut’s leads
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‘Quien Te Cantara’: Film Review | TIFF 2018
Spanish director Carlos Vermut follows up his multiple-award-winning ‘Magical Girl’ with a twisting, Almodovar-esque tale about the complex relationship between a pop star and her biggest fan.
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Venice Film Review: ‘The Accused’
A courtroom drama that keeps the focus on the emotional toll of the accused and her family, resulting in an involving, largely well-handled psychological study.
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‘El Angel’ scores record debut for local production in Argentina
Luis Ortega’s The Angel (El Angel), based on the exploits in the 1970s of Buenos Aires serial killer Carlitos Robledo Puch, has scored the highest ever debut for a local production in local currency in Argentina.
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The Accused at Venice Official Selection!
We are proud to announce that The Accused will be competing at the Official Selection at the 75th Venice International Film Festival.
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Florianopolis Dream most awarded title at Karlovy Vary Film Festival
We are glad to announce that Florianopolis Dream was the most awarded title at this years Karlovy Vary Film Festival.
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Karlovy Vary Film Review: ‘Sueño Florianópolis’
Argentine writer-director Ana Katz keeps the mood appealingly low-key in this semi-sweet study of a disbanding family on vacation.
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The Orchard Nabs Crime Drama ‘El Angel’ Out of Cannes (EXCLUSIVE)
The Orchard has secured North American rights to Luis Ortega’s “El Angel” following its debut at the Cannes Film Festival. It will debut in the U.S. later this year. Reviewers in the south of France praised the film for its visual panache and compared its treatment of violence and criminality to the early work of Martin Scorsese and Quentin Tarantino.
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